Jonathan Levine Projects presents two upcoming exhibitions with Victor Castillo and David Choong Lee opening this Saturday.
Solo exhibition of new work by David Choong Lee
Jonathan LeVine Projects is pleased to present Gravity, a solo exhibition of new work by California-based artist David Choong Lee in what will be his debut show at the gallery.
After 20 years of being a staple in the San Francisco art scene, David Choong Lee has perfected a signature style that merges figuration and abstraction. Influenced by diverse artistic sources, such as Vincent van Gogh, Rembrandt, graffiti and underground music, he skillfully incorporates bold graphics with organic elements, creating kaleidoscopic dreamscapes and subjects.
Lee’s early work focused on depicting societal concerns through realism, such as his first major project in the United States in which he painted portraits of San Francisco’s homeless community on found boxes. By 2010, his work transformed to a solely abstract aesthetic with nonfigurative, brightly colored compositions stemming from his imagination. The artist describes these paintings as “inner visions” of himself and elaborates, “When someone understands one of these paintings, it’s like they’re hugging me really deep from inside.”
The works in Gravity were inspired by Lee’s studies of physics and integrating his findings in the process of painting with aerosol and latex. In a Darwinian approach, he slightly alters forms within each composition and the successful variations are brought to the forefront. The result are paintings that transport viewers to an otherworldly universe through a visual vocabulary of forms. He describes, “Maybe they are vast representations of space, an alien world, or an examination of life at a microscopic level.”
We Were All To Be Kings
Solo exhibition of new work by Victor Castillo
We Were All To Be Kings, is the solo exhibition by Chilean-born, Los Angeles-based artist Victor Castillo, featuring a bold new series of big and small paintings on canvas and paper inspired by vintage American animations.
In a quadtych installation of wall-sized paintings, Castillo seamlessly appropriates Technicolor imagery and characters from the classic animation studios Van Beuren and Walt Disney, notably from the Silly Symphony series produced in the 1930s. Through a process of collaging collected images, mixing backgrounds and comic characters to create new compositions and situations, Castillo reconstructs the given narratives like a puzzle, to formulate his distinctive style of storytelling with a punch line.
The artist describes the painting titled We Were All To Be Kings: a king eating alone … a table with a feast … all around animals watching; the animals are angry because they have realized that they are food for slaughter. In each of the large paintings, Castillo notes that the protagonists are stealing from each other. Evoking George Orwell’s Animal Farm, it is class war between rich and poor and a criticism of capitalism that Castillo’s vibrant painting ultimately portrays.
Opposite from the multilayered acrylic paintings in the gallery, a series of fifteen small works made of gouache on found paper brings us to another delightful dimension and time. Painted on vintage book reproductions of popular Currier & Ives prints chronicling America in the nineteenth century, Castillo adds to and thus changes the meaning of each scene with an ongoing theme of resistance. “The subjects are fighting back,” he says.
The title of the exhibition is also a reference to Castillo’s roots. In “We Were All To Be Queens,” Chilean poet Gabriela Mistral follows the dreams and hopes of childhood as they are thwarted and destroyed by the realities of adult life. Similarly, Castillo follows dreams of riches to a surprising end in We Were All To Be Kings, offering medieval fables and a humorous reflection about the current state of society.
A multicultural perspective informs Castillo’s vision as an artist from Latin America: “I grew up with a fascination with American pop culture. In the Disney productions that arrived in Chile, you would see Uncle Scrooge traveling the world in search of wealth; they would arrive in a place with lots of gold, and he and his nephews would take it and be happy. I feel with the right to appropriate because I grew up with all this in my face. My paintings come from dreams.”
We Were All To Be Kings is Victor Castillo’s second solo exhibition with Jonathan Levine following The Jungle in 2012. The psychedelic new series is a departure from previous work depicting children in spooky chiaroscuro settings.